May 30

Five random things I have picked up over the last while.

First is for those of you who either love fabrics or who love words. It’s a list of fabrics from medieval times and their description. For example samite medieval. a rich silk interwoven with gold or silver threads. or vervise medieval blue cloth similar to plunket. At  Rosalie Gilbert you will find it.

Second, 10 Socks, I just love these, I will have to get them for someone. Not that expensive really at the end of the day when you consider that really good socks last for many years instead of two washes. And no matter which ones you lose you will always have a match.

My favourite artist on threadless. Priscilla Wilson. I love her illustrations.

A website about Kefir. An amazing culture drink, along the smae lines as yoghurt but has other miniature organsims just dying to set up in your digestive system and set about repairing/protecting it. It sits in milk/soya milk/almond milk and does its thing and you strain of the liquid drink it and put more into your kefir. Endless fun.

And lastly for the feelgood factor, I am sure most of ye know these cards, having seen them in health food stores and angel/fairy/hanging crystal stores. Doreen Virtues cards. But if you want words of happiness and nice things and fluffy bunnies then go here.

enjoy, x clio

May 29

we arise today together
through the strength of heaven
light of sun
radiance of moon
splendour of fire
speed of lightning
swiftness of wind
depth of sea
stability of earth
firmness of rock

This is an embroidery I did for my parents to give to my Uncle and Aunt for their 50th wedding anniversary. There are 50 hearts in total and I used raw silk for the red and the creme. The flowers on the backround are a scarf I died a brown and then embroidered over the flowers and cut away the rest of the scarf so the flowers were left. Anyone ever do carrickmaccross lace? same principal.

I hand embroidered the words, they were going to be too small to machine embroider. The words I got from the book Anam Cara by John O’Donohue. But I think originally it is maybe part of St Micheals breastplate. Its a christian poem but I changed the first line from ‘I will arise today’ to ‘We will arise today together’. I felt it was christian enough for them and and this section meant something for me too. Commissions I do for people have to mean something for me too, otherwise I can’t do them.

The  photo below is a close up of the embroidery.

May 25

I am about to wash my sleeping bag, actually both of them, seeing as I bought a large one and a thin one and generally end up using them both. One for warm nights and both together for the cold nights.

The reason why this is worthy of a blog is because my sleeping bag has become my security blanket… have sleeping bag can travel. and I was always afraid of washing it in case it looses that fluffyness and warmness that is essential to any good security blanket.

I bought them before I went to mexico three years ago so maybe its time to wash them. They kept me warm (one inside the other with the hood bit for my head) on a sleeping platform on the side of a mountain, the thin one as protection from mosquitoes in a hammock on a beach in Tulum, in my first flat in Guanajuato, and in countless freezing cold irish houses on friends couches/blow-up mattresses/floors

the old irish house builders had a unique talent known only to them… how to build houses that were actually colder on the inside than they were on the outside. I remember having an argument with a friend on whose house was colder and I described the bone chilling qualities of this particular house I was living in for a while and she topped it all with “but Cliodhna, my toothpaste freezes in the tube”.  She won the argument.

I am kinda nervous about putting my precious cuddlinesses in the washer. Better do it though, and sure I can always get a new one if they go lumpy.

May 22

“Have you ever considered writing about how you can tap into something so much bigger than yourself? I’ve just been on your red bubble and I continue to be amazed and delighted by how you can so eloquently paint the heart of myth. It is as if each of your pieces is a poem. Susanne Ilse”

Following this wonderful email from Susanne at Bonesinger, whose work I admire greatly, (and check out her post on Irish stone spirits in the irish arts blog) I sat down to write this response.

Myths are stories spun in and around our life to give richness and meaning to those everyday things we often take for granted. A Myth conotates something grander than a mere fairytale. A Myth is bigger than we are, it is what we aspire to, what we can dream towards and they are always set in the far past, unconnected to today to emphasis the otherworldness of the heroes, heroines, gods, goddesses.

Maybe Myths scare society a little, if they were true they would upset the safety of reality and a rule based society, maybe that’s why they are always in the past or in another world or set in a world beside ours that touches it occasionally but doesn’t quite meet. They are uncontrollable and unsafe, they break boundaries and rules. Gravity does not have power in a myth, neither does age, time, space or simple laws of what humans are and are not capable of.

We have been separated from our own Myths, from our own power, we have given away possibility in favour of a safe existence from cradle to grave. We accept what we are told about life, about our bodies and about our minds and we are hooked by the big ‘I AM’, we think personal power is having control, of ourselves and the world around us. But in myths the heroes and heroines have no control, they are spun by the threads of destiny and they have to drop what they think they want and suddenly everything flows forward and they are successful. There is always a struggle before the dropping of the mind.

I want to live my own Myth, I want to see what happens when I drop control and let it all flow… and this is what I do every time I create something, I try as best I can in that moment to drop control and see what happens. We all do this as artists, that feeling of flowing, of effortless creation and when its finished you look and your mind is surprised and a little in awe of ‘I did this’. Truth is though ‘I’ didn’t do it I merely got out of the way and it happened all by itself.

I am getting better at the getting out of the way bit and as I do I get closer to how I dream my pictures. A new freedom, a new level of letting go, a new style and a new trust in my voice, no comparisons and no competition. It is freeing and it is scary and it is living from the heart. Living each moment surrounded by the grandness of the Myth, by possibility instead of facts, by the wonderfulness of the fact we are here instead of mundane worries, by the connection to life as an endless river and we are here for the ride and to learn how to swim, without struggling, straight to the sea.

Thanks Susanne for the inspiration to write this, we need reminding of this sometimes and it was good to actually sit down and think about it right now. Put words on the feelings, put my intent back on track.. XX cliodhna

May 22

http://www.cyberthing.net/video-play.php?id=89

a funny short animation I found….

May 19

I have been self exploring lately, always a good thing to do and always there are some gems waiting to be discovered in the knot of my tangledom.

Paul asked me to write him a few lines about the workshop I had done and I was thinking about what to write and then I thought hey i could write a post and then tell him to read it! (hi gorgeous..x)

The weekend workshop was called the Language of Love and so people arrive maybe expecting how to make their relationship better with their partners but end up looking at their relationship with themselves. How can I love someone else if I don’t love myself? or if I am working from fear and a need to keep men happy how can I truly be myself in a relationship. This is the stuff we looked at.. ourselves. The beloved inside that so often gets silenced and ignored to try to control our partner and change him instead of just loving and being happy.

Women sometimes keep themselves small so men will stick around. I know I have done this and I remember realising I do this, stay in a place of needing help or not truly expressing myself just in case I end up on my own with nobody to love me. boo hoo poor little cliodhna :( .

It is important for me to express myself for me and express myself with my partner, I am too used to keeping secrets, and not even big secrets but just things I don’t want to admit to myself and so definitely don’t want to admit to anyone else, especially not a man I am having a relationship with. I might lose control and he will see me as weak and not want to be with me. But the thing is every time I push myself to talk and be really open it actually brings us closer together. Maybe I am slow learner and I have run away from commitment in the past but its a really nice discovery, oh look I can actually talk about this and it makes it better.

What else did I get from the weekend, a wonderful connection to me that I had been struggling to find and a sight of the wonderfulness of everything. we walk around in our boxes and thats all they are, a thin layer of cardboard between us and the hugeness and marvelousness of the world. that beetle song.. all you need is love.. true and thats all there is too but we create our worlds out of it and construct our shapes to live in and all it really is is light/love/energy we can make anything we want out of.

I am taxing my car tomorrow so no more excuses and this is another place in my life where I have let other people be in charge and didn’t take responsibility for my life. Fear of the future ‘what if’ , fear of being truly in power of my own life. No more! I am trying to think of a name for the car, I think she is a she, she is a gusty she with a rumble in her voice I like.

So I hope this is a good few lines for Paul. I push him quite a lot I think, but I think he can handle it. He gets a nervous look on his face when I say I need to talk, like he’s in trouble, and then a look of relief when he sees I just need to vent. Hey, maybe I can persuade him to write a post about it! What do you think Paul? huh? huh? x

May 14

green is clean

and trees are green

but thats a josh

cause trees don’t wash

A brief nugget of deep wisdom for ya’ll, from my younger years, there are others but I think one is enough and it ties in with the theme of green.

After thinking about how green it is here in comparison to where I have been I took photos of my parents wood. Its not very big as woods go but it is a beech wood and is airy and light and the air beneath the leaves glows green.

The wild garlic takes over from early march to mid july and is wonderful to look at and smell and very good to eat. It has a subtle flavour but one that is quite distinctive.

Enjoy the greeness! it is quite a feast for the eyes, I tell ya…

May 14

Here is a story to keep you all entertained for a while my best beloveds…

How the Whale got his Throat,

Ruyard Kipling

HOW THE WHALE GOT HIS THROAT

IN the sea, once upon a time, O my Best Beloved, there was a
Whale, and he ate fishes. He ate the starfish and the garfish,
and the crab and the dab, and the plaice and the dace, and the
skate and his mate, and the mackereel and the pickereel, and the
really truly twirly-whirly eel. All the fishes he could find in
all the sea he ate with his mouth–so! Till at last there was
only one small fish left in all the sea, and he was a small
‘Stute Fish, and he swam a little behind the Whale’s right ear,
so as to be out of harm’s way. Then the Whale stood up on his
tail and said, ‘I’m hungry.’ And the small ‘Stute Fish said in a
small ’stute voice, ‘Noble and generous Cetacean, have you ever
tasted Man?’

‘No,’ said the Whale. ‘What is it like?’

‘Nice,’ said the small ‘Stute Fish. ‘Nice but nubbly.’

‘Then fetch me some,’ said the Whale, and he made the sea froth
up with his tail.

‘One at a time is enough,’ said the ‘Stute Fish. ‘If you swim to
latitude Fifty North, longitude Forty West (that is magic), you
will find, sitting _on_ a raft, _in_ the middle of the sea, with
nothing on but a pair of blue canvas breeches, a pair of suspenders
(you must _not_ forget the suspenders, Best Beloved), and a jack-
knife, one ship-wrecked Mariner, who, it is only fair to tell you,
is a man of infinite-resource-and-sagacity.’

So the Whale swam and swam to latitude Fifty North, longitude
Forty West, as fast as he could swim, and _on_ a raft, _in_ the
middle of the sea, _with_ nothing to wear except a pair of blue
canvas breeches, a pair of suspenders (you must particularly
remember the suspenders, Best Beloved), _and_ a jack-knife, he
found one single, solitary shipwrecked Mariner, trailing his
toes in the water. (He had his mummy’s leave to paddle, or else
he would never have done it, because he was a man of infinite-
resource-and-sagacity.)

Then the Whale opened his mouth back and back and back till it
nearly touched his tail, and he swallowed the shipwrecked
Mariner, and the raft he was sitting on, and his blue canvas
breeches, and the suspenders (which you _must_ not forget), _and_
the jack-knife–He swallowed them all down into his warm, dark,
inside cup-boards, and then he smacked his lips–so, and turned
round three times on his tail.

But as soon as the Mariner, who was a man of infinite-resource-
and-sagacity, found himself truly inside the Whale’s warm, dark,
inside cup-boards, he stumped and he jumped and he thumped and
he bumped, and he pranced and he danced, and he banged and he
clanged, and he hit and he bit, and he leaped and he creeped, and
he prowled and he howled, and he hopped and he dropped, and he
cried and he sighed, and he crawled and he bawled, and he stepped
and he lepped, and he danced hornpipes where he shouldn’t, and
the Whale felt most unhappy indeed. (_Have_ you forgotten the
suspenders?)

So he said to the ‘Stute Fish, ‘This man is very nubbly, and
besides he is making me hiccough. What shall I do?’

‘Tell him to come out,’ said the ‘Stute Fish.

So the Whale called down his own throat to the shipwrecked
Mariner, ‘Come out and behave yourself. I’ve got the hiccoughs.’

‘Nay, nay!’ said the Mariner. ‘Not so, but far otherwise. Take
me to my natal-shore and the white-cliffs-of-Albion, and I’ll
think about it.’ And he began to dance more than ever.

‘You had better take him home,’ said the ‘Stute Fish to the
Whale. ‘I ought to have warned you that he is a man of
infinite-resource-and-sagacity.’

So the Whale swam and swam and swam, with both flippers and his
tail, as hard as he could for the hiccoughs; and at last he saw
the Mariner’s natal-shore and the white-cliffs-of-Albion, and
he rushed half-way up the beach, and opened his mouth wide and
wide and wide, and said, ‘Change here for Winchester, Ashuelot,
Nashua, Keene, and stations on the _Fitch_burg Road;’ and just as
he said ‘Fitch’ the Mariner walked out of his mouth. But while
the Whale had been swimming, the Mariner, who was indeed a person
of infinite-resource-and-sagacity, had taken his jack-knife and
cut up the raft into a little square grating all running criss-
cross, and he had tied it firm with his suspenders (_now_, you
know why you were not to forget the suspenders!), and he dragged
that grating good and tight into the Whale’s throat, and there
it stuck! Then he recited the following _Sloka_, which, as you
have not heard it, I will now proceed to relate–

By means of a grating
I have stopped your ating.

For the Mariner he was also an Hi-ber-ni-an. And he stepped out
on the shingle, and went home to his mother, who had given him
leave to trail his toes in the water; and he married and lived
happily ever afterward. So did the Whale. But from that day on,
the grating in his throat, which he could neither cough up nor
swallow down, prevented him eating anything except very, very
small fish; and that is the reason why whales nowadays never eat
men or boys or little girls.

The small ‘Stute Fish went and hid himself in the mud under the
Door-sills of the Equator. He was afraid that the Whale might be
angry with him.

The Sailor took the jack-knife home. He was wearing the blue
canvas breeches when he walked out on the shingle. The suspenders
were left behind, you see, to tie the grating with; and that is
the end of _that_ tale.

WHEN the cabin port-holes are dark and green
Because of the seas outside;
When the ship goes _wop_ (with a wiggle between)
And the steward falls into the soup-tureen,
And the trunks begin to slide;
When Nursey lies on the floor in a heap,
And Mummy tells you to let her sleep,
And you aren’t waked or washed or dressed,
Why, then you will know (if you haven’t guessed)
You’re ‘Fifty North and Forty West!’

May 13

I was on a yoga and meditation day on saturday down in Claire just beside the burren in a place called the Holywell. Amazing place. I said to a friend, the grass is so green here in Ireland! and she smiled and said You sound just like an american. I laughed, its true, americans generally when they come here at some point will say exactly that.

But it is true about the grass,, coming from where I have been living in mexico, high desert, where the plants struggle for water and the cattle and horses are bone skinny and are constantly cropping close little brown spiky tufts of grass, to come here is to marvel at the greeness and the softness of the ground. I was scrubbing for wild garlic in the wood yesterday and was amazed at the depth of the moistness and softness. Old leaves and moss and returning to earth mulch. In mexico I learn to see the subtle colours and little signs of life and signs of water and new buds on a tree stand out from miles away. Here there is no stopping it.

On the car front I bought a 1998 Ford escort, metallic blue, reaaaaalllllllly cool! the first day it was home I kept taking sneak peeks out my window just to look at it. Insurance was bought yesterday and I am collecting the owners papers tomorrow so i can tax and register it. and then there will be no more excuses!

On an art front, not doing a whole lot right now, I am missing some permanent studio space what with coming here and then for the last while in mexico being in transit between old guanajuato and new chihuahua. (more about that later) But I have one commission from the parents for an embroidery for a 50th wedding anniversary, a commision for a childs mural that needs to be discussed and talked about, a craft competition to enter for and a gallery to find. Lots of doing things in front of me. Ok, off to bray to apply for a new passport and call into the fabric store and oohh and aahh over their wonderful things…

love and light ya’ll !

May 8

I was doing my recap today when I was thinking that doing personal work like the workshops I do in the Toltec is like unraveling a big twisted knot. You have to find an end and start there and work your way into the centre of the knot. Start with the little knots and they will give you energy (inner strength) to face the biggies when they come along. Sometimes a big one just melts away unexpectably and you have a few yards of free wool before you reach the next tangle. Patience and doing things in the proper order is called for, no point tackling a knot if there is one before it that needs to be done first.

As a mirror to this I realised a few days ago that lessons arrive as I need to learn them. It gives me a wonderful sense of freedom when I realise I don’t have to control me or my world, that all flows as it should. I wrote a big hippy post about a while ago to do with snowflakes and water and reiki. Let the energy flow and it will go where it needs to. Hard to let go sometimes though, old habits come up and I catch myself trying to change or ‘fix’ someone or something.
What got me thinking about this was that instead of looking at something big like family issues in my recap today I  decided to look at driving. I am 35 and I am just really starting. Partly of course I had a bike for years and it was all I needed in a city and also Irelands heavy Insurance/car tax but they are just excuses to me not getting my own car and starting to drive. I realised it was down to the same old chestnut of me not feeling up to situations that might arise. Future dread. Possibilities of failure. Of course when I do get behind a wheel and drive I am very calm and sorted and well capable and I feel amazing after having done it. I just need practise. I have to demand and insist I drive to get past the block, instead of what I have done in the past of just letting others drive.

I saw a cool ford escort today. I might look at another tomorrow morning but I reckon its going to be one of those two. !!

exciting!

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